The Spanish Vision: Contemporary art Photography.
The Spanish Institute. New York 1990
María José Gómez Redondo uses appropriations, double exposures, and montages to create a dream-like work in which no monsters are allowed. In the series of her photographs in The Spanish Vision, she depicts the five senses, leaving the "sixth" sense to guess from these depictions _ and the one which forms a part of her technique along with the other, more apparent ones.
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