María José Gómez Redondo

All her work from the end of 2001 and throughout 2002 wonders about the support of image. She uses a work technique based on the collage and the feedback of different processes. In her previous work, she conceived with a flat collage approach. That did not affect the purely photographic final presentation. In the present work, the image's formal construction posed as related fragments are made very clear. Pieces of paper with digital prints, transfers on the photographic emulsion, imprints on different supports make the image acquire a technical depth in keeping with its visual complexity.

I had drawn